Deaf-led opera explores suppression of sign language
Manifesto of Silences uses sign language and physical theatre. It explores the 1880 Milan Conference. That conference suppressed Deaf languages worldwide.
Six Deaf performers reimagine opera through Auslan (Australian Sign Language), Visual Vernacular, dance and projections at Melbourne Fringe. The work focuses on the Milan Conference.
It favored oral speech over sign language. This caused generations of language loss.
The performers explore opposite views from historical figures including Edward Gallaudet and Alexander Graham Bell. Manifesto of Silences tells its story through signed poetry, mime, dance and vibrations felt in the body instead of voice.
A Deaf audience member felt that experiencing the work directly from the cast was powerful. This mattered more than going through interpreters.
The piece ends with a message that equal language rights for Deaf people remain an important ongoing need.
- 1880
- Conference year
- 6 Deaf performers
- Performers
- Arts House, Melbourne Fringe
- Venue
- Irene Holub
- Creator
Why it mattersThe work reclaims Deaf narrative and culture. It offers healing. The community processes shared historical trauma together.
AustraliaA major Melbourne Fringe work showcasing Deaf Australian artists and Auslan, rare opportunities for Deaf-centred performance and audience experience.
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